{"id":136,"date":"2012-10-12T22:14:57","date_gmt":"2012-10-12T22:14:57","guid":{"rendered":"http:\/\/criticalmassfilm.com\/blog\/?p=136"},"modified":"2012-10-12T22:14:57","modified_gmt":"2012-10-12T22:14:57","slug":"on-the-radio","status":"publish","type":"post","link":"https:\/\/criticalmassfilm.com\/blog\/on-the-radio\/","title":{"rendered":"On The Radio"},"content":{"rendered":"<p>During my first week at the Mill Valley Film Festival, I had the pleasure of being interviewed by Danielle Venton for KRCB.\u00a0 We sat on a bench at the main junction in the centre of town and chatted for half an hour about the film, population and environmental issues.\u00a0 Danielle was smart, funny, well-prepared and asked good questions.\u00a0 It was a lot of fun.\u00a0 <a href=\"http:\/\/krcb.org\/201210093729\/north-bay-report\/new-film-explores-that-caged-rat-feeling\">Here is the interview.<\/a><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>During my first week at the Mill Valley Film Festival, I had the pleasure of being interviewed by Danielle Venton for KRCB.\u00a0 We sat on a bench at the main junction in the centre of town and chatted for half an hour about the film, population and environmental issues.\u00a0 Danielle was smart, funny, well-prepared and [&#8230;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-136","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/criticalmassfilm.com\/blog\/wp-json\/wp\/v2\/posts\/136","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/criticalmassfilm.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/criticalmassfilm.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/criticalmassfilm.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/criticalmassfilm.com\/blog\/wp-json\/wp\/v2\/comments?post=136"}],"version-history":[{"count":1,"href":"https:\/\/criticalmassfilm.com\/blog\/wp-json\/wp\/v2\/posts\/136\/revisions"}],"predecessor-version":[{"id":137,"href":"https:\/\/criticalmassfilm.com\/blog\/wp-json\/wp\/v2\/posts\/136\/revisions\/137"}],"wp:attachment":[{"href":"https:\/\/criticalmassfilm.com\/blog\/wp-json\/wp\/v2\/media?parent=136"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/criticalmassfilm.com\/blog\/wp-json\/wp\/v2\/categories?post=136"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/criticalmassfilm.com\/blog\/wp-json\/wp\/v2\/tags?post=136"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}